Susie Garcia Headshot

Susanna Garcia has been teaching piano for over 40 years to students of every age and level.  She has been an independent music teacher as well as a college professor and has taught in both the group and private lesson formats.

A popular clinician, she has presented workshops for many state and local teachers groups and papers for the International Society for Music Education, College Music Society, Music Teachers National Association, and the National Association for Humanities Education. Her work has appeared in such publications as 19th Century Music, Interdisciplinary Humanities, Piano Pedagogy Forum and American MusicTeacher.

Current interests include the application of learning styles theory to the teaching of piano, multimedia instruction in piano teaching, online education, and the expansion of the field of piano pedagogy to include jazz and popular styles.

Garcia has performed concerts across the United States and in Canada, Mexico, Italy, and Ghana. Concert reviews praise her “impressive technical skills and musical communication in performance” and her “remarkable critical insights into music.” In 1998, Garcia, along with pianist William Chapman Nyaho, released the first complete recording of Aaron Copland’s two-piano works on Centaur Records. In addition to many favorable reviews, this recording was featured on the BBC program Desert Island Discs, a program suggesting recordings that one would wish to have if stranded on a desert island!

Garcia received her undergraduate education at Texas A&M at Corpus Christi.  She completed both her MM and DMA at the University of Texas at Austin where she had the privilege of studying pedagogy with Verna Harder, Amanda Vick Lethco and Martha Hilley.  Her piano teachers have included Imelda Delgado, Meryl Ettelson, Gregory Allen and Danielle Martin.

Currently, Garcia is on the faculty of the University of Louisiana at Lafayette School of Music and Performing Arts where she teaches piano, group piano, piano pedagogy and lectures in the Interdisciplinary Humanities program. She also directs the Pedagogy Lab Program, an internship program for piano pedagogy majors. She holds the Ruth S. Girard Endowed Professorship in Music and in 2001, was selected as a University of Louisiana Distinguished Professor. In 2012, she was honored as a Foundation Fellow by the Music Teachers National Association, and in 2013 received the Outstanding Teacher Award from the Louisiana Music Teachers Association. In 2015, she was recognized by the University of Louisiana at Lafayette, receiving the “Research Excellence Award” for the College of the Arts and the “Founder’s Award” from the Friends of the Humanities.

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What Teachers are Saying about eNovativePiano

Immediately Noticed the Difference

“At the beginning of each semester, I immediately noticed the difference between using a regular book and using eNovativePiano. The students are able to have practice sessions that are more productive because of the video clips. Their hand position has been so much better because of the visual reminders. Their rhythm has also greatly improved. I have loved using eNovativePiano. Thank you so much for putting the program together and allowing the rest of us to use it in our classrooms, as well!”

Dr. Margaret Perry, University of the Pacific

Develops All the Senses

“I’ve been using eNovativePiano as the primary curriculum for our music major piano classes this fall. The approach is thought out very well. It develops all the senses – aural, visual, tactile – for musical fluency at the keyboard. Having the videos and audio exercises available for the students, both in and out of the classroom via internet, is a plus as well. I would strongly encourage any teacher or student to consider using it in their lessons.”

Dr. Christy Vogt Corley, McNeese State University, LA

Increased Proficiency Completion Rates

“We really enjoyed using eNovativePiano this year. Our proficiency completion rates went up an average of 11% this year, up from previous years, and the sight-reading category in particular was much improved. We will definitely use it next year. Just let us know what it takes to make that happen, and we’ll do it!”

Dr. Jonathan Reed, Warner University, FL

Flexible & Convenient

“Students like the flexibility that allows them to move at their own pace, whether pushing forward to new material or, if necessary, repeating portions already covered. They especially enjoy the convenience of the program. They don’t have to bring a book to class, and they can do many of the activities away from the piano. They’ve even told me they can “practice” some of the exercises on their cell phones – without the piano OR computer!”

Dr. La Wanda Blakeney, Louisiana State University at Shreveport

Excellent Tutorial Videos

“An excellent concise format for introducing and reinforcing pattern reading through practice drills and manageable repertoire pieces. Great inclusion of harmonization and improvisation exercises. The website stresses the keyboard skills needed for most instrumentalists and provides an excellent tutorial videos for students to practice outside of class time.”

Dr. Rose Grace, Bethune-Cookman University, FL

Refreshing & Much More Interesting

“. . . compared to the textbook which I have used for the last umpteen years, I found it refreshing and much more interesting. Thanks again for creating such a wonderful, rich resource for class piano.”

Dr. Norma Brunner, Gordon College, MA

Amazing Results

“I teach 3rd-5th grade piano at an arts and technology school in a 16-keyboard lab setting without any assistance. eNovativePiano has brought ease and amazing results to a job that was nearly impossible and equally frustrating. This wonderful resource has helped me reach the goals that I have set for myself and for my students.”

Courtney Oubre, NCTM, J.W. James Arts and Technology Elementary School, Lafayette Parish, LA

Invaluable

“There is so much emphasis on proper technique – that’s invaluable. To hear the pieces being played and to see them being played, help you with the positioning of your hand and fingering. It so much better to have audio and video assist you.”

Blake Pujol, Sophomore Guitar Major in Jazz Studies, University of Louisiana at Lafayette

Absolutely Love eNovativePiano

“After using eNovativePiano this year, I would not want to use anything else. I absolutely love eNovativePiano — I actually looked forward to my 8:00am piano classes this year! I think my class piano students achieved a much higher level of fluency using eNovativePiano and I’m especially pleased with the improvement in score reading and in sight reading. The harmonizations were great fun because of the wonderful sound files.”

Dr. Diana Belland, Northern Kentucky University

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